Disclaimer: Love Hina belongs to Ken Akamatsu, Kodansha Comics,
Shounen Magazine Comics, TV Tokyo and Pioneer Entertainment.
Notes: This draws some elements from the original story of Urashima
Now with annotations!
Right. Well, best to address this
now. Most people aren't familiar with the story of Urashima
Taro, so I'll give you a brief version here. Essentially,
a fisherman named Urashima Taro lived with his mother, and
one day when he went out fishing, he saw some bullies tormenting
a turtle. In some stories, the turtle is trapped by natural
hazards, but whatever the turtle's plight, Keitaro helps it
out. To reward him, the turtle insists that Taro follow her
into the sea, and the man does so.
Under the sea, Taro is taken to
the Dragon Palace, where it turns out that the turtle is the
Sea Princess (in some stories, the turtle is a handmaiden,
who just brings him to the palace). Once there, he feasts,
lives, and spends time with her. After a while, though, Taro
decides he needs to go back. Then the Sea Princess gives him
a wooden box. (In some of the stories, she tells him not to
open it. In some of them, she tells him to open it right away,
once he's back on the beach.)
So Taro returns to the shore, and
looks for his village (or just the house, in some stories),
but there's no sign of it. When he finally meets a traveler,
he finds out that decades have passed since he's last been
home. Devastated, Taro opens up the box and finds a crane
feather… and then all of the missing years creep up
onto him. This is probably the point where most of the stories
disagree. Some of them say he turns into a crane, some of
them say he returns to the sea and searches for the Sea Princess
again, some of them say he just dies. But, that is the story
of Urashima Taro in a nutshell.
And for those who look, references
aplenty abound in the manga. When Keitaro has a fever, Suu
even reads him the fairy tale.
Year one had been a failure. An abysmal failure.
Year two had been more hopeful. Hours turned to days turned to
weeks turned to months of solid study. He was confident that he
would make it. But he hadn't. Another failure.
Year three had been another. Not expected at all. His study was
serious enough that he hadn't believed failure possible —
until he had taken the test. But it was nothing but a failure.
Year four was the latest. It wasn't even over yet, but he knew
— he knew what it was, and what it would have to be.
"Taking a break?" The old man. Teacher. Guide. Confidante,
perhaps. Maybe even a role model.
"Yeah. Just resting."
"Well, shade's a welcome respite in the heat of the desert."
"Yep. Is this a good dig?"
There was a pause then, as the older man walked beneath the canvas
sunshade, and took a seat on a closed cooler. He drew a cigarette
from a pocket and lit it, taking a long, deep drag. When he exhaled,
the smoke blew out in a long plume. In the dead air, the plume
hung still, slowly expanding along a flat, curved plane, much
like a crane's feather. "I think so," he said at length.
"I'm not sure yet. I might have gotten myself a partner.
I'd like that."
This is Seta, of course, but
also the first hint that Seta is part of one of two sides
in a battle… it's also deliberately misleading.
"Well, I…" He let the words trail off, wondering
what defense he could readily pose against that. "We'll see."
[Meddler and Warrior]
"I would like to think that there is something there."
"Oh, I know there is. You want to lay a claim on him, daughter
The immaculate swordswoman raised an eyebrow. "And you can
speak that name? I would have believed the very thought would
"Alcohol dulls all pains." The other woman allowed
a grin to flit across her face for a moment. "You're avoiding
"Not entirely. His path draws along many lines, some which
bring him closer to me, others to you."
"And the rest?"
"The sky, the shore… the dragon palace. Perhaps even
the pillar of the heavens. Who is to know the ultimate conclusion?"
This is a deliberate (and obvious,
now that you know the legend) reference to the tale of Taro
Urashima. The pillar of the heavens is Shen Lung, the dragon
that holds up the palace that all of the gods live in. This
is important later here, and pretty much all throughout
"She would, I think."
The swordswoman stiffened, one hand dropping to her sheathed
blade. "And she would not say, if she did. You would meddle
more than even your kind should, to ask."
"Peace! Peace!" Hands waved in protest, the same smile
returning. "I'll make no move, yet."
"As I am constrained by my elders. Who then can make a move?"
"The child of Marisha-Ten, the Sea Princess, and…
our dreamer friend."
Marisha-Ten is a goddess of mercy
to children, among other things.
"Your meddling worries me. A well-grounded but hopeful dream
is no evil thing."
"Oh-ho! You think that if the right cards are played, he
could be another Sakata Kintoki, do you?"
Sakata no Kintoki, who was once
known as Kaidomaru, was the Golden Boy. There's another
legend there that isn't strictly relevant, it's mostly a
veiled reference to the Golden Boy anime, and the character
of Kintaro Oe. (Kintaro means 'golden boy'; Oe is the name
of a mountain where Kaidomaru supposedly killed a fierce
The swordswoman dropped her hand from her weapon and blushed
"Golden boy or not, he will be what he will be."
"Fine, fine… now tell me why you count two out?"
"Of the one, I will not speak, even if I discover the reason.
For the other, I could not guess, save to say that she wishes
to observe more than meddle at this point." She paused, her
blush fading. "As I would advise you to do. Regardless, it
is time for the game to begin again.
Sticking her tongue out at the swordswoman, the other woman allowed
herself to say, "Spoilsport," before vanishing from
[Earth and Sun]
Another obvious reference, once
you know the legend. Which you may not, come to think of
Well then. Before we go on, there's
another legend that ties into this, one about the Heavenly
Spirits and the Earthly Spirits. This is the legend that
the anime 'X' (copyright CLAMP) is based off of, but is
substantially older (some variants do call them Dragons
of Heaven and Dragons of Earth respectively).
Anyway. This legend is a bit
more complicated. There are two sides of an ages-old-war.
The Heavenly faction and the Earthly faction. Both are spirits,
and have chosen specific avatars to represent them in their
battle. The Earthly spirits represent spirits that have
become powerful… concepts of humanity that have become
like gods. Beings that were created by mankind's dreams,
shaped and guided by them. They aren't (strictly speaking)
the 'good guys', but they aren't the 'bad guys' either.
The Heavenly spirits are those
that came before. Those that created and try to define what
is below, even though man is apparently pretty good at creating
its own gods.
Regardless. The Earth and Heaven
forces always contest one another, and always fight. The
war is, in some cultures, considered a parable for aristocracy
versus the commoners.
I digress. They usually contest,
but ultimately, both are required to maintain the balance
of the universe. If one side should ever achieve dominance,
they only divide themselves into two factions anyway, and
that leaves us… right where we began.
And now you know.
Hot… so hot…
After a few hours of work, the actual process of digging seemed
to… change. The shovel slid in with a grating and hissing
resistance, causing the hairs on his arm to stand on end, and
his skin to prickle. The resistance of the earth as he levered
the shovel downward, and then hauled it upward made his back protest.
But the more he did it, the more the movement became a relaxing
manta, and the sound a soothing whisper. It wasn't until the tip
of the shovel hit something solid that he paused, realizing that
more hours had passed since he had become accustomed to digging.
The sun had passed behind a stand of tall palm trees, giving him
shade, and a cool breeze rustled his tank top, making him wonder
as its surprising surrender… but it was a near victory,
he realized, moving the shovel to one side, and leaning against
it to relax.
His sweat-slicked skin had nearly soaked the garment through,
and he felt a bath wouldn't be amiss.
He looked up sharply, smiling when he saw the older man. "I
think I did," he admitted.
This is meant to show, in a subtle
fashion, that Keitaro is under some pressure. Or, really,
looking at two possible paths he could walk down at this
point in his life. The contrast is obvious, given the above
"Want to dig it up, or take a break? You've been working
yourself pretty hard!"
"I'd like to catch my breath."
"Smart. Have some water." The older man produced a
bottle of water, and handed it to him. "Drink it slowly."
He nodded, doing as the man instructed. The refreshing liquid
left him feeling restored, and he sighed with contentment, handing
the empty bottle back to the man.
"Maybe you should sit down and catch your breath?"
"Ah… I'm okay, Sensei."
"All right. Then why don't we see what you found?"
He nodded, shifting his grip on the shovel and carefully scooping
more sandy earth to one side. A small wooden chest was revealed,
with brass fixings. Crouching, and lifting it carefully, he studied
it, frowning. "What's this?" he asked, cocking his head
to one side.
"Many things," the old man said quietly. "At the
moment, nothing. Were you ever given a box?"
Another reference to Urashima
"I… think so. Ah, that's where Tamago came from, actually."
"Hmm. There's a first sign for you."
This isn't anything specific,
as much as the tendency for 'three' to be an oft repeated
number in mysticism. The unearthing is actually the second
time, since Mutsumi giving it to him was the first.
[Daughter of Heaven, Son of Ocean]
This might be confusing, so these
are two separate characters.
She leant against the rail before her, pursing her lips, and
allowing the cigarette there to bob slightly up and down, unlit
in the cool night air. "You're coming back, hmm?" she
asked the night.
No voice answered her, but something happened, a man taking form
from a shadow behind her. He stood illuminated in the darkness
after a moment, solid and real, but staring up at the moon, even
as she gazed at the sea.
"I like answers more than silence," she said, frowning
"Fair enough. I'm back, I'm back. He's coming back, too."
She turned her head to one side, almost far enough to see him.
"I feel sorry for him."
"Then again, you know how it's going to end, don't you?"
"I could." She paused, and her cigarette lit itself
suddenly, spreading a tiny glow against the darkness. After puffing
slightly, she exhaled, the smoke diffusing in the night air, long
streaks finally thinning and vanishing. "But I haven't looked.
I think I already know, and to be right… would break my
"Ah," he said softly. "So that's how it is."
"He is my blood kin. How could I not care?"
"But you're not his mother."
"True enough. I'll miss her, too."
She shook her head, taking a long drag from her cigarette. "You
know the story. Whatever he wants, he has to go home. And there's
nothing I can do without forcing his choice for him."
And this is true not just for
the legend of Taro Urashima, but European stories reflecting
the Fey as well.
"Then I shall follow him," the man said, turning to
look at her, and clasping his hands together behind his back.
"Would that be better?"
She did not turn to face him. "I'd like it, but all the
same, it would change things… perhaps too much. I would
have liked him to follow in your footsteps, my love. That's the
path I would have wished he would pursue, if he had chosen my
Keitaro's mother is from the
same clan as Haruka. Just in case you couldn't tell, this
means that Keitaro's got some blood from the Heavenly clan…
The key thing to remember is this. The primary difference
between the two is EARNING power and being BORN into power.
Keitaro has the potential to be either. He could awaken
his dormant powers, and be committed to one side.
Or he could find his own path,
and forge his own powers, and be committed to the other.
This time, there is no middle ground, because the two forces
balance one another, they aren't contesting.
"Then she is my favored, too, though you honor me more than
I deserve. Tell me what I must do."
"You know too much to do anything. The story will play itself
out. How he chooses… Your favored — your true favored
— will do as she must. It is simply the way of things."
The idea here is that each Seta
and Haruka (as the beings they are), has picked one person
they would like to hold specific positions to alter how
history is going to progress. The last thing a spiritual
being wants is for magic to stop working.
"And… if this had never happened?"
"If 'this'? I cannot spot what changed." She blinked,
raising a hand and tossing the cigarette away from her as a tear
rolled down her cheek. "But it was something… and something,
I think, that was not meant to be. Were things otherwise…
But our role in this play is nearly done, and I'm left taking
care of a house of meddlers."
"Let us finish this. I must stay to watch over the young
one — she is too innocent to be left with those who will
remain. You must find a successor."
Naru is not in danger, but Sarah
"There is one here who would serve in that capacity. If
this is to be done with, I'd just as soon not leave your side.
But at the same, despite what you say, I must watch over him for
a while yet."
Turning to face him, the woman cocked her head to one side. "Is
"I will not interfere," he promised. "One of my
kin will watch him for me." And with that, he was gone.
The woman shook her head twice, and then she too was gone.
From two different worlds…
but they love one another anyway. Ah… Explains why
there's so much question as to which side Keitaro picks,
A day of defeat. Tragedy. Failure.
The day was a death of hope, for him. To return home with all
of his things…
Attempting to get into the college for so many years… if
he had gotten in the first time, then he would be nearly done
The life he faced was not the life he desired, but it was the
life he was going to lead. He paused, stopping on the street and
looking at the building that he had lived so much of his life
in. Biting his lip, he thrust his hands into his pockets, and
shook his head. "What now?" he asked quietly.
And here we face the consequences
of the change.
Returning… returning would be a permanent change. It was
something he couldn't undo; not now.
He jerked, pulling his hands from his pocket, and spinning about
in surprise. He blinked, eyes widening at the woman standing behind
"Otohime? What are you doing here?"
"Ara… I was on my way home, but I stepped out of the
train to buy some udon, and it left without me. Then I went to
see the sights while I waited for the next train, and ran into
you! Where are you going?"
"Ah… well… this is where I live," he managed
apologetically, gesturing to the building. "My… my
parents are probably waiting for me inside."
"Don't you want to see them?" she asked, blinking curiously.
"Oh, well… I… I'm afraid," he admitted.
"I failed to get in again. That's four years of failure.
I don't know how to show my face to them, now. I just… four
years of work for nothing."
"I know what you feel, Kei-kun," she said, taking another
step closer to him. "I failed, too."
He was surprised to hear that, and stared in silence for a moment.
"Really? I… I know Narusegawa got in, but I thought…
I thought you did, too."
She shook her head, looking away. "I didn't, Kei-kun. I'm
going to run away for a little while, and then I'm going to go
home. I'm not sure what to do, either."
This is a statement on multiple
levels. Namely, "I'm not a normal human being either."
You already knew that by now,
An intense desire flared up in Keitaro's heart, and he took an
impulsive step forward. It wasn't simply for her body; it was
something deeper, though he couldn't quite put his fingers on
what it was. "Mutsumi…"
She smiled at him, a hint of… sadness? No, that had to
be an illusion… or maybe it was for her own testing failure.
"Would you like to come with me?"
He blinked, shaking his head, and was about to refuse, but…
"I… I… I don't want to go home yet. Well…
okay, Mutsumi-chan. Let's run away together."
And so Taro Urashima followed
the turtle to the palace of the Sea Princess…
A tear glimmered for a moment in the corner of her eyes, and
she held a hand out to him.
Mutsumi, here, understands perhaps
better than anyone else what the cost of loving someone
like Keitaro is, given who she is.
And, in case you were curious,
she is the servant of Seta.
He took it, frowning curiously. "What are you crying for?"
he asked, worried.
"I'm happy," she said quietly. "But a friend of
mine… is going to be very sad, and I feel sad for my friend."
"Ara… Let's go, Kei-kun."
He nodded slowly, tightening his grip on her hand gently. "Okay."
"Aaaaaand… that's the last of it." She nodded
to herself, surveying the collection of carefully packaged boxes.
"Getting ready to leave?"
She turned to face her friend, and smiled. "Yep! I'm done
with college, so I'm ready to move out."
"Why did you decide to go to college, again?"
Frowning thoughtfully, she tapped a finger against her lower
lip. "It was a promise…" She blushed faintly,
as she remembered the promise. "Ah, it's not important."
To Seta, so you know who his
favored would have been.
"If you say so. Everything packed up… What a shame!
How long have we known each other here?"
"I'm not sure," she admitted. Her friend offered one
of her trademarked grins, and pointed behind her.
"Is that yours, too?"
She turned around to look, and saw a feather drifting from near
the ceiling of her room, rocking back and forth with strangely
deliberate motions. Blinking, she watched it stop rocking, and
begin to spin in a wide, lazy circle, finally coming to rest atop
the small stuffed animal that she set atop the wooden board covering
the hole in her floor.
Crossing the floor, she studied it closely, frowning in consternation.
"A crane's feather?" she mused. "I wonder how
that got here…" Shaking her head, she gathered the
stuffed animal. "Can't believe I almost forgot this—"
her words cut off, as the feather, precipitously balanced across
the nose of the creature, crumbled into ash, blowing away on an
By now it should be obvious that
the crane is meant to show one faction. I'm willing to bet
you know which one, too.
Before she could say anything else, the animal, too, crumbled
into ash, fading into nothingness before her very eyes. The last
bit remaining stuck between two of her fingers — not the
dull gray ash, but the small tag that had been affixed to the
creature. The characters scrawled there in childish handwriting
glowed briefly gold, and then faded, leaving her holding a blank
And this… shows the other!
She opened her mouth to question her friend, but the other woman
giggled, and waved a hand.
"I'm sorry, Kitsune," she said, shaking her head. "What
were we talking about? I must not be paying attention —
I just forgot everything!"
This is supposed to be one power
Kitsune (fox-spirits) can have, though apparently they mostly
focus on shape-changing and illusion.
"Nothing to worry about, I assure you."
Obligatory reference to Compass
Points. Trust me, it does tie in.
The swordswoman stood in her place at the peak of the roof, facing
eastward. Her long hair billowed out behind her, and her arms
were crossed over her chest as she stared at the rising sun. "It
would seem then that our pretenses are not needed any longer."
"Maybe, maybe not," a voice answered her, another woman
climbing onto the top of the roof, and staring out over the city.
"Pretense or not, I've kind of taken a liking to the place,
daughter of Ida-ten."
"As have I," a much more tremulously voiced young woman
said. "And its purpose need not be abandoned forever."
Shinobu, daughter of Marisha-Ten.
"You speak the truth, daughter of Marisha-Ten," the
swordswoman returned. "And all the same, I cannot leave in
good conscience while a kitsune remains to meddle with innocents.
Such illusions are unkind to those who deserve better."
Motoko, daughter of Ida-Ten,
of course. Ida-Ten is a god of law and justice, typically
characterized as a swiftly-moving young man that can run
on the wind.
"I think you don't see everything that there is on that
issue," a fourth voice said, this one from a darker-skinned
young woman as she too appeared, sitting on the peak of the roof
just behind the swordswoman.
"What harm as she wrought? All her mischief was merely that,
Suu, daughter of… Ama-Tsu-Mara,
god of smiths!
The kitsune merely smirked, while an errant breeze played with
the swordswoman's hair.
We already know who this is,
Heaving a pained sigh, the swordswoman shook her head. "It
pains me to admit that I realized that; but I do not wish to leave
this place. However, that decision doesn't belong to us, does
Another pair arrived on the rooftop. Turning to face them respectfully,
the swordswoman, and the paler of the young women both bowed courteously
to the pair. The kitsune and the tanned young woman merely nodded.
The woman leant against the man who arrived with, her, and shook
her head sadly. "And I want to leave, but you would all prefer
to remain anyway?"
Haruka, currently guarding Shen-Lung.
The swordswoman looked away. "I have no other calling,"
she admitted after a moment. "Few evils walk the Earth that
can truly be vanquished as I am taught."
"And yet, there's still a place for you, should you wish
it," the man murmured. "I am in need of a successor,
and the one I had hoped for was not able to take the role I intended.
Ida-Ten is one who I have nothing but respect for. Would you serve
his will in my place?"
Seta, currently guarding the
turtle that bears the earth on its back.
Blinking, the swordswoman nodded stiffly. "It would give
my life meaning," she stated firmly. "I would be honored."
Those of you paying attention
may have noticed that Motoko just switched factions. She
earned a power she'd never been born to, here…
"Well enough," he said, nodding. "It will be done.
"Yes," the woman leaning against him sighed. "So
many of us in one place… we make it less real, I think.
It is not always a good thing."
The Fey sometimes defy reality
its own realness. See Compass Points to explain that bit,
though. Or not, come to think of it.
The Kitsune spoke again, shaking her head, "I don't know
about that. No real harm done… though I have to ask: what's
the Sea Princess doing now?"
The Sea Princess is Mutsumi,
"My will," the man said, grinning slightly. "And
when that's done, perhaps you'll meet my love's intended successor.
For the time, however, we will leave what must be done to those
who must do it. And that means…"
"I will take care of the foundling," the darker-colored
young woman decided.
"And I," the other young woman added. "She is
nearly of an age where she can take care of herself, regardless."
Not Naru, Sarah.
"The two of you?" the woman asked, frowning. "That
will be something to see. It is good enough for me, then."
A stray breeze passed, and the man's smile widened slightly.
When the breeze was gone, so were he and the woman with him.
If you want to see what happens
to Haruka and Seta… well, read Compass Points. You'll
"Such is the nature of these things," the swordswoman
mused. "I can only imagine that it was not meant to be this
"It wasn't," the Kitsune assured her. "But I'm
not sure where it went wrong, either."
This was the way it was meant
to be. More on this later.
"A pity." The swordswoman offered a faint smile, and
vaulted upwards, flipping over in the air, and disappearing below.
"And what were your roles in this?"
"I've done nothing more than you," the darker of the
two young women said, shaking her head. "Though I regret
that sometimes. What's done is done."
"Are you going to leave?"
"Not until the daughter of Marisha-Ten leaves," she
said, smiling softly. "I trust you, Kitsune, but there are
limits to my gullibility. The masks we wear are not the roles
"Touché," she murmured. "Then I will take my own
leave… except to give you a warning."
"What warning would that be?" the more timid of the
young women asked.
"Motherhood may not suit you." Laughing aloud, the
kitsune scampered away, vanishing in a mist as she reached the
edge of the roof.
"Are we making a mistake?"
"Everything was a mistake. We've meddled too much."
"And what will happen?"
"Something interesting, I think. We must be careful, or
the damage cannot be undone. How will he react, I wonder, when
he wakes up from his time with the Sea Princess?"
And now you know who really made
Sitting on the train, he stared out the window, and tapped his
feet impatiently. He wasn't sure why, but as soon as he had gone
with Mutsumi, his mind had left him. Vague memories of her sad
smile and the soft touch of her hands… the backgrounds of
those visions were city streets, grassy slopes, and more than
that, beaches. But they all melted and blurred in his head, the
only constant her, and her whispers of apology to him.
Too much exposure to the Fey
can warp a mortal mind. Keitaro's mind is not, strictly
speaking, mortal. But the easiest way to protect himself,
here, is to awaken to his heritage, and we know what that
Why would she apologize? They had been gone for a long time…
far longer than he had intended, but all the same, it couldn't
be that long; neither of them had much money.
Shaking his head, he rose as the train glided to a halt, his
bag slung over his shoulder. When it halted, he disembarked, focusing
more on the maze of his memories than the road before him. Eventually,
he stopped, and raised his head.
But the building before him was not the building he remembered.
Casting about, he realized that the other buildings, too, had
changed. The name of the street, the address… those things
were the same, but it wasn't the home he had known.
Stepping inside cautiously, his eyes widened at a familiar woman
standing behind the counter.
She raised an eyebrow, regarding him curiously. "Can I help
"I… Kanako?" he hazarded.
The woman's eyes widened slightly. "You knew my grandmother?
I've been told I resemble her… but you hardly look old enough
to have met her!"
Again, to reference Taro Urashima.
His hands rose, nearly of their own accord, and rubbed at his
"I… I think I made a mistake." He nodded apologetically,
and turned to leave. "Sorry to trouble you."
"You've hardly troubled me, but maybe I could help—"
He had no time to listen to her, running out of the building,
and down the street. That place… it fit, as little as he
had liked it. What had his sensei told him when he had unearthed
that chest, so long ago?
He had called it the first sign.
Well, it was really the second, but…
Pausing in an alley, he pulled a box from his bag. It was the
box that he had been given by Otohime after their long vacation,
but too, it was the same chest he had unearthed when he had been
digging for answers, so long ago. Swallowing a lump of fear back,
he realized it was more than simply that; it was the same box
that Tamago had emerged from.
With trembling hands, he opened the box, and vanished, nothing
more than a crane feather drifting down to mark that he had ever
This is the third time. Mutsumi
gave it to him the first time, then he dug it up…
Well. He is given something he
never tried to earn, there.
Rest assured, he didn't die.
He's just no longer human… or interested in human
things. Proceed to divinity; do not pass go, do not collect
"Too easy," she murmured to herself, allowing her illusions
No, she was actually protecting
people from what Keitaro might have done had he awakened
to his potential in a different manner.
Surprisingly enough, Kitsune
was actually pretty well behaved throughout this entire
"I hope you enjoyed yourself."
She turned, widening her eyes in surprise. "Oh! I didn't
think I'd run into you here! But then, it's too late, and no real
harm was done, anyway."
"Perhaps, perhaps not." The swordswoman emerged from
a shadow, and held out a hand. The feather rose from the ground
to float across her fingertips, finally balancing upright along
her palm. "Nothing you could have done would have changed
anything. He will belong to the Sea Princess."
"Your servant, of course."
Now that Motoko has replaced
Seta, at least.
"In some capacity. More importantly, what was done, here,
can be undone."
"Would you undo it, so easily? And how?"
"It is less difficult than you would imagine." The
swordswoman allowed a smile to flit across her face.
"Say what you will — what would come of it?"
"Yes, what?" asked another voice, both of the younger
women appearing again.
"What should. More importantly, I would ask you why you
allowed this path to go as far as you have."
The darker-skinned young woman looked away, shaking her head
"Curiosity," she admitted. "I knew it had been
changed, but I wondered what path was there first, before the
Sea Princess returned, or the innocent dreamer."
"And what did you find?"
"As I said, events were changed. The true intent is this
path, but I cannot say that it is preferable. Let it be undone,
and set him back on the path with the dreamer."
To make things clear: In this
story, what just happened is the way things were always
meant to be.
Obviously, they aren't happy
I wasn't, either.
"I'll agree to that," the kitsune said, nodding. "She
was something of a friend, after all."
The swordswoman nodded curtly. "If it as you say, then we
will return things to the way they should be." She narrowed
her eyes suddenly, faint power flickering within their depths
as she studied the two younger women. "But this time, we
must leave all as it was meant to be. The true path is not always
the path we require."
Turns out that leaving things
meddled with is sometimes for the best.
The pale-skinned young woman sighed unhappily. "But if the
path is to change, then the dreamer will hold him in the waking
world — I know in my heart that none of us want that. Not
even you, daughter of Ida-Ten, heir to Ocean."
"What would you suggest, then?"
"A truce, where all of us may win the game, if on the surface
it would be the dreamer who won."
See Compass Points to see how
well that worked out.
The kitsune raised an eyebrow, smiling slowly. "Ah, that
could work… but at such cost…"
"And such reward," the darker-skinned younger woman
countered. "Raising a daughter was not what I would have
expected, but this path would grant me a son. One who would be
instrumental in the changes that would follow. Very well. I agree."
"Good enough for me!" the kitsune declared.
"And I," the pale-skinned young woman agreed, nodding.
"Unexpected, but I will agree. What of the Sea Princess?"
"She would want the dreamer to be happy, and I believe she
"Are you feeling any better?"
His eyelids fluttered open slowly, and he tried to make out his
surroundings. It was as though he were deep beneath the waves,
staring upwards at the sun, wavering and shimmering light spreading
across him in a circle, a pair of feathers drifting towards him.
"I think so," he said quietly, as the vision faded
into the electric light, and the feathers vanished. "Suu
made me listen to the story of Urashima Taro…"
"That old fairy tale?"
"Yeah… I had an awful dream about it, too."
"I… I failed to get into Todai, but you got in, and
then I never saw you again."
"…What's so horrible about that?"
He sat up to regard her levelly. "Narusegawa?"
She flushed, and looked away. "And… Anyway, if you
study hard enough, you'll make it for sure, this time."
And thus, reality is put back
on course, Shen Lung dies, and magic is awakened again when
he is reincarnated in four different pieces.
Which is, ultimately, a good
thing for everyone involved.
Except for certain communists.
But that's Compass Points, not
Sky and Shore.
Author's notes: This is (somewhat) the result of a conversation
with Edward Simons. One half of it is my impression of the series,
the other is Mr. Simons's commentary on what the names of the
various characters meant. Now if anyone understands this, I'll
be impressed. If you can guess who Suu is the daughter of, I'll
be impressed even more.
Right. Now that that's said and
done, if you're wondering about the specifics of the meta,
I personally felt (though I was/am probably wrong) that
Mutsumi was the promised girl, and that the story was changed
to make Naru the promised girl instead. This story explored
how I managed to put together in my own mind that it may
have just been for the best.
Even if Mutsumi really does deserve